A ceramic incense holder referencing Katsushika Hokusai's The Great Wave off Kanagawa, one of the most reproduced images in the history of woodblock printing. The piece is hand-painted and sized to hold a standard incense stick while containing ash along its length — roughly 9 inches end to end. Construction is ceramic throughout.
The form is essentially a long, shallow tray or boat shape rendered in the wave motif, with the curling crest of the wave serving as both sculptural element and functional ash catch. It sits in a lineage of Japanese decorative objects that treat everyday utility as an occasion for imagery — here, a well-known ukiyo-e composition scaled down to the domestic.
It works on a desk, bedside table, meditation corner, or any flat surface where incense is burned regularly. The 3.2 oz weight keeps it stable during use, and the ceramic surface wipes clean with a dry cloth. At its price point, it functions as both a working accessory and a small piece of graphic art.
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A ceramic incense holder referencing Katsushika Hokusai's The Great Wave off Kanagawa, one of the most reproduced images in the history of woodblock printing. The piece is hand-painted and sized to hold a standard incense stick while containing ash along its length — roughly 9 inches end to end. Construction is ceramic throughout.
The form is essentially a long, shallow tray or boat shape rendered in the wave motif, with the curling crest of the wave serving as both sculptural element and functional ash catch. It sits in a lineage of Japanese decorative objects that treat everyday utility as an occasion for imagery — here, a well-known ukiyo-e composition scaled down to the domestic.
It works on a desk, bedside table, meditation corner, or any flat surface where incense is burned regularly. The 3.2 oz weight keeps it stable during use, and the ceramic surface wipes clean with a dry cloth. At its price point, it functions as both a working accessory and a small piece of graphic art.
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We don't buy objects just to fill shelves. We look for pieces that possess a soul; objects that have survived trends and remained essential.
Our collection is the result of 20 years of following our gut. Each piece is hand-inspected by Matt and the team in Cincinnati to ensure it meets our standard of permanent beauty.
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Every piece is hand-inspected at our Reading Road showroom before it leaves for your home.
